Baroque Writing Desk Lombardy Second Quarter of the XVIII Century - Lombardy second quarter XVIII century

Italy, Late XIX Century

Large table in solid walnut, Italy late 19th century. Turned legs embellished with moldings and ending with pear-shaped feet.

18th Century / 1701 - 1800

Venetian baroque console supported by wavy legs, the apron on the front and sides is carved with characteristic rocaille motifs. In walnut, the shaped top is in alabaster with a border in black marble and white Botticino.

18th Century / 1701 - 1800

Pair of neoclassical consoles from Piacenza, supported by truncated pyramidal legs ending with pear-shaped feet, in the upper part they are tightened by collars. Walnut.

Tuscany, England Mid 19th century

Circular top in various essences of marble, with polychrome checkerboard in the center; the marble is framed in a rosewood support, supported by a central turned baluster resting on three shaped and fluted feet.

Round table Charles X

Round center table, Charles X period, made of walnut with maple inlays; three uprights with opposing volutes rest on a base supported by curled feet, reinforced in the center by a baluster, shaped band. The whole surface is inlaid with phytomorphic motifs; white marble top.

Florence, Mid XVIII Century

Baroque console in carved and gilded wood with top in Siena's marble, Florence, mid-18th century. Supported by four wavy legs connected to each other by a central crosspiece, the console is decorated with curl carvings, "C" shaped volutes and rocaille, leafy and floral elements, the latter placed in the band under the top. Restorations on the floor.

Lombardy, Early XVIII Century

Pair of baroque walnut consoles, Lombardy, early 18th century. The front is composed of a succession of curls and wavy elements, according to a well-defined design; reserves, leafy and shell-shaped elements and small festoons with a flower in the centre, falling from the upper part of the uprights, complete the front decorative apparatus. Shaped top, crosspieces and turned rear uprights, the latter protruding laterally compared to the front uprights and embellished with a bulbous element placed at half their height. The layout and the carvings of the front present a typically Lombard layout, characterized by a strong resemblance to a group of seats of Fantonian origin, included within the collection of the Museum of Applied Arts at the Castello Sforzesco museum complex in Milan.

19th Century / 1801 - 1900

The supporting structure is made with a central trunk that act as baluster assembled with smaller branches; entirely gilded. Committed marbles top: different stony typologies are used to create a centra vese with flowers on top of which a dove alights. All around there is an edging inside which are represented leafy scrolls and plant patterns; the top's perimeter is defined by a greek fret with alternating triangles.