Large Table Walnut Italy XIX Century - Italy, Late XIX Century

19th Century / 1801 - 1900

The supporting structure is made with a central trunk that act as baluster assembled with smaller branches; entirely gilded. Committed marbles top: different stony typologies are used to create a centra vese with flowers on top of which a dove alights. All around there is an edging inside which are represented leafy scrolls and plant patterns; the top's perimeter is defined by a greek fret with alternating triangles.

Lombardy second quarter XVIII century

Writing desk resting on wavy legs with goat feet, drawer in the band under the top, top and riser with carved crown depicting plant motifs and central star. On the bottom, the riser has a coeval protrusion indicating that the piece of furniture belongs to a boiserie, probably a bookcase. The piece of furniture is decorated with inlays depicting floral motifs present in the solid wood of the top and walnut briar veneer with maple threads also present on the drawer and upstand. Lombardy second quarter XVIII century

Desk with double drawer under the top. Teak veneered wood, very careful construction details.

Tuscany, England Mid 19th century

Circular top in various essences of marble, with polychrome checkerboard in the center; the marble is framed in a rosewood support, supported by a central turned baluster resting on three shaped and fluted feet.

Round table Charles X

Round center table, Charles X period, made of walnut with maple inlays; three uprights with opposing volutes rest on a base supported by curled feet, reinforced in the center by a baluster, shaped band. The whole surface is inlaid with phytomorphic motifs; white marble top.

Lombardy, Early XVIII Century

Pair of baroque walnut consoles, Lombardy, early 18th century. The front is composed of a succession of curls and wavy elements, according to a well-defined design; reserves, leafy and shell-shaped elements and small festoons with a flower in the centre, falling from the upper part of the uprights, complete the front decorative apparatus. Shaped top, crosspieces and turned rear uprights, the latter protruding laterally compared to the front uprights and embellished with a bulbous element placed at half their height. The layout and the carvings of the front present a typically Lombard layout, characterized by a strong resemblance to a group of seats of Fantonian origin, included within the collection of the Museum of Applied Arts at the Castello Sforzesco museum complex in Milan.

19th Century / 1801 - 1900

Central Italy Empire desk, supported by lion feet, on the front it has a retractable door, which can be opened through a mechanism accessible on the bottom of the cabinet and concealing two drawers, it is surmounted by a smaller drawer. In the upper part there is a retractable roller door, concealing a pull-out desk top with a fake Moroccan insert (replaced later), equipped with a spring system that gives access to secrets; present compartments and drawers. The shelf has a single door with a mirror concealing a castle with compartments and drawers. The uprights on the front have the characteristic truncated-pyramidal shape, ending with gilt bronze drips and surmounted by female herms in burnished bronze in the lower body, while in the upper one there are Egyptian caryatids. In mahogany, the interiors are in chestnut.