Antique Cupboard Silver Fir with Drawings Tyrol XVIII Century

Tyrol, Early XVIII Century

Code: ANMOCR0243702

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Antique Cupboard Silver Fir with Drawings Tyrol XVIII Century

Tyrol, Early XVIII Century

Code: ANMOCR0243702

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Go to noleggio.dimanoinmano.it to rent the product
Rent

Antique Cupboard Silver Fir with Drawings Tyrol XVIII Century - Tyrol, Early XVIII Century

Features

Tyrol, Early XVIII Century

Style:  Baroque (1630-1730)

Age:  18th Century / 1701 - 1800

Origin:  Tirolo, Austria

Main essence:  Silver Fir

Material:  Wrought Iron , Carved Wood

Description

Spruce Baroque sideboard, Tyrol early 18th century. Architecturally moulded top and lower plinth, front with two doors each decorated with a pair of moulded cornices. Embellished with lozenge-engraved geometric elements and door leaf carved with ‘scale’ motif. Hinges and lock in wrought iron, the latter bearing engraved designs. Interior with fabric-covered tops.

Product Condition:
Product that requires restoration and polishing due to age and wear. We try to present the actual state of the furniture as fully as possible with photos. Should certain details not be clear from the photos, the description shall prevail.

Dimensions (cm):
Height: 189
Width: 154,5
Depth: 69

Additional Information

Style: Baroque (1630-1730)

The term derives from the Spanish barrueco or Portuguese barroco phoneme and literally means "shapeless pearl".

Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.

This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.

Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.

As far as furniture is concerned, freedom of ideation, the need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.

The materials displayed were worthy of competing with the most amazing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.

Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and anything else needed to enliven forms and structures.

The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar.

Find out more about the Baroque with our insights:

FineArt: Il Barocco

Classic Monday: a double-body sideboard, late Venetian Baroque

Classic Monday: a pair of candle holders between the Renaissance and Baroque

Classic Monday: a pair of mirrors between Baroque and Late Baroque

Classic Monday: a superb Austrian Baroque console table

YouTube - Pillole di storia del mobile ep1: il Baroque

Age: 18th Century / 1701 - 1800

18th Century / 1701 - 1800

Main essence: Silver Fir

Soft coniferous wood, used for rustic furniture or to build the chest, that is the structure, of furniture then veneered in more precious woods. It has been used since ancient times, its most valuable use is, in the Spruce variant, in the inlays of French antique furniture of the '700 . The spruce, more typical of northern Europe, in Italy grows mainly in the Eastern Alps at altitudes above 1300 m. The noblest use of this essence was in the construction of violins, guitars and cellos: Stradivari himself produced his famous violins with this wood.

Material:

Wrought Iron

Carved Wood

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