Pair of Antique Tiles Bronze Wooden Frame Italy XIX Century - Central Europe, Late XIX Century

The bust portrays a noble woman, richly dressed. Certainly a portrait, as can be seen from the detailed physiognomic characteristics of the face; the depicted subject has a stern gaze and attitude, an element that characterizes the portrait sculpures of the time. The hair are tied on the back of her head in an elaborate hairstyle with braids. The neck is adorned with a necklace with a medallion in the centre and multiple strings of pearls. She is wearing an off-the-shoulder dress, refined with a thin lace hem and a bow in the middle of her chest. The sculptor has great skills with the use of a chisel to refine details and the texture of fabrics.

Italy late 19th century

Female bust and liberty column in white statuary marble, Italy, late 19th century. Bust in old-fashioned dress with floral elements placed on the chest; column decorated with ivy that descends transversely from the supporting surface.

Portrait of a young girl in marble placed on a grey marble column, depicting a young girl cloaked in the winter cold. The different processes used give variety in the rendition of the marble. On the back of the bust, “F. Andreini Florence 1894" is engraved.

19th Century marble sculpture representing a roman matron; the figure stands on the left leg and is wearing a long robe that leaves her breast free; the left arm is hidden by the cloth and is folted while in the opposite hand she is holding a corrispondence. Her face is austere with a pointed chin; her hair har divided by a central parting and collected in a bun behind her head.

Oil on canvas. Looking at the compositions of the 17th-18th century, the painting proposes a composition of variegated and colorful flowers, which surmount a sculpture of three fauns and a cut pumpkin. It is presented in a contemporary frame.

Austria, Late XIX Century

Large ceramic sculpture in art nouveau style depicting a gallant couple walking. Very realistic and accurate plasticity of the clothes and well-characterized faces. At the base impressed mark, initials of Brothers Urbach, brothers who worked in Teplitz Bohemia.

Mixed technique on paper. The work is signed lower right A. Mancini, but cannot be attributed to the master Antonio Mancini, but rather to a contemporary imitator. However of good quality, it presents the face of a young commoner. It is presented in a contemporary frame.

France, Late XIX Century

Majolica flowerpot with large expanded cup, supported by a square base enriched by four scrolled feet. Polychrome decoration, with raised parts, in shades of blue and orange.

Spain, Mid XIX Century

Majolica plate decorated in monochrome blue. With a 6-pointed star in the middle.

Piedmont, Late XIX Century

Empire chest of drawers supported by plinth feet, on the front it has two drawers framed between columns decorated with gilded and chiseled bronze capitals, to support the under-top band in which there is another drawer. In walnut with walnut interiors, it has undergone restoration.