Antique Neoclassical Mirror Walnut Italy XVIII Century - Veneto Last Quarter of the 18th Century

Male Statue Mid 19th Century

Herm of a young man depicted in the Roman style, according to the classical taste in vogue until the mid-19th century. Made of white Carrara marble.

Piedmont, Early XVIII Century

Baroque chest of drawers veneered in walnut, Piedmont, early 18th century. Shaped top embellished with olive wood border, front of four drawers decorated with cherry tiles, also present on the sides. Rounded uprights, chains and moldings of the top and drawers in ebonized wood. Poplar interior. Handles replaced.

Italy, Early XIX Century

Baroque kneeler supported by wavy and carved uprights; lacquered and painted, the lacquering has been resumed.

Emilia Romagna, Late XVIII Century

Pair of neoclassical chests of drawers made of fir wood, veneered in walnut. Front with three tripartite drawers, central panels with inlays of popular figures, and lateral panels with leafy decorations included in frames with walnut and maple fillets. Sides and upper surface with central rosette, frames with maple and walnut fillets, truncated pyramidal feet. Bronze handles and escutcheons replaced, keys missing. Emilia, last quarter of the 18th century.

Tuscany, Late XVIII Century

Pair of neoclassical mirrors in walnut, gilded and lacquered. Carved cymatium composed of a pair of vases, leaf carvings and festoons that resume on the sides and at the base. Appliques missing, mirrors partially replaced. Restoration. Tuscany, third quarter of the 18th century.

Lombardy, Early XVIII Century

Baroque Lombard drop-leaf cabinet made of fir, veneered in walnut and walnut root, ebonized frames. Front with three tripartite drawers, with leaf spring movement. Drop-leaf cabinet with internal bipartite door, moved cabinet with six drawers with maple fillets and ebonized frames, sliding top concealing a secret compartment. Upright with drop-leaf top, contemporary bronze nozzles, vase-shaped feet. Lombardy, early 18th century.

Italy, Early XVIII Century

Pair of high chairs from the Baroque era, in walnut. Crosspieces replaced and restoration work.

Veneto, Mid XVIII Century

Pair of Baroque walnut chairs, Veneto, mid-18th century. Back panels decorated with rocaille style carvings; legs connected by crosspieces. Padded seats.

Italy, Early XVIII Century

Baroque chest from the early 18th century. Bipartite front with pilasters decorated with carvings of masks and scrolls, feral feet. Hinges initially replaced with ring hinges, original wrought iron lock, restorations.

Composition with Bread and Tomatoes

Oil on canvas. Signed lower right. The artist's stamp is on the back of the frame. De Bernardi's painting is part of the Lombard landscape tradition of the 19th and 20th century. He always lived in Besozzo, his hometown in the province of Varese, but he traveled a lot, in Italy and outside of Italy, collecting impressions and researching, to relive them in his work, new landscapes. He preferred landscape production, even if declined with a changing style in his different pictorial phases. His production does not lack some still lifes, dating back mainly to the 1940s, compositions scrupulously drawn and aimed at dealing with the problems of light and atmospheric depth with agility and freshness, as in this presentation of some bread and tomatoes on a rustic table. Restored and relined, the painting is presented in a frame.

Italy, XVIII Century

Pair of electrified torch holders in embossed and gilded copper sheet. Fabric lampshade.