Pair of Ancient Kneelers Baroque Tuscany XVIII Century - Tuscany, First Quarter of the XVIII Century
Features
Tuscany, First Quarter of the XVIII Century
Style: Baroque (1630-1730)
Age: 18th Century / 1701 - 1800 , 17th Century / 1601 - 1700
Origin: Toscana, Italy
Description
Pair of open baroque kneelers in walnut, Tuscany first quarter of the 18th century. Shaped top and base decorated with frames, drawer in the band, compartment that can be opened in the lower section. Turned supports reproducing a colonnade arranged in a semicircle. Poplar interior.
Product Condition:
Product that due to age and wear requires restoration and re-polishing. We try to present the real state of the furniture as fully as possible with photos. If some details are not clear from the photos, what is reported in the description will prevail.
Dimensions (cm):
Height: 78
Width: 77
Depth: 49
Additional Information
Style: Baroque (1630-1730)
The term derives from the Spanish barrueco or Portuguese barroco phoneme and literally means "shapeless pearl".
Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.
This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.
Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.
As far as furniture is concerned, freedom of ideation, the need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.
The materials displayed were worthy of competing with the most amazing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.
Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and anything else needed to enliven forms and structures.
The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar.
Find out more about the Baroque with our insights:
Classic Monday: a double-body sideboard, late Venetian Baroque
Classic Monday: a pair of candle holders between the Renaissance and Baroque
Classic Monday: a pair of mirrors between Baroque and Late Baroque
Age:
18th Century / 1701 - 1800
18th Century / 1701 - 180017th Century / 1601 - 1700
17th Century / 1601 - 1700Main essence:
Walnut
Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.Poplar
Essence considered "poor", it is a white wood, with yellowish or greyish shades, light and tender, which is easily damaged. It is used for rustic furniture or in the construction of furniture. The most valuable use it has had in the history of furniture is in Germany, in the 19th century, for veneers and inlays in the Biedermeier period.Other customers have searched:
Comodino, mobile da camera, cassettiera..
Approfondimenti
Per approfondire:
Mobile portaoggetti, Inghilterra inizio XIX secolo
Uno stipo toscano a cavallo tra XVI e XVII secolo
Comò Luigi XVI attribuito a Giuseppe Viglione, Torino, fine XVIII secolo
Coppia di comò e comodino della bottega Maggiolini, 1804 ca.
Un mobile comune dalla forme inusuali
Conoscere lo stile impero
Sull'antiquariato in generale dai un'occhiata anche a
Classic Monday: da un pezzo dei nostri magazzini alla storia dell'antiquariato
L'antiquariato dalla A alla Z: il Dizionario dell'Antiquariato
Il dizionario dell'antiquariato - Lastronatura
Il dizionario dell'antiquariato - Mascherone
Il dizionario dell'antiquariato - Natura morta
Il dizionario dell'antiquariato - Opificio
Il dizionario dell'antiquariato - Pastiglia
Il dizionario dell'antiquariato - Savonarola
Il dizionario dell'antiquariato - Rosone
Approfondimenti
Per approfondire:Mobile portaoggetti, Inghilterra inizio XIX secolo
Uno stipo toscano a cavallo tra XVI e XVII secolo
Comò Luigi XVI attribuito a Giuseppe Viglione, Torino, fine XVIII secolo
Coppia di comò e comodino della bottega Maggiolini, 1804 ca.
Un mobile comune dalla forme inusuali
Conoscere lo stile impero
Sull'antiquariato in generale dai un'occhiata anche a
Classic Monday: da un pezzo dei nostri magazzini alla storia dell'antiquariato
L'antiquariato dalla A alla Z: il Dizionario dell'Antiquariato
Il dizionario dell'antiquariato - Lastronatura
Il dizionario dell'antiquariato - Mascherone
Il dizionario dell'antiquariato - Natura morta
Il dizionario dell'antiquariato - Opificio
Il dizionario dell'antiquariato - Pastiglia
Il dizionario dell'antiquariato - Savonarola
Il dizionario dell'antiquariato - Rosone