Sievert Wall Lamp Glass Sweden XIX-XX Century - Sweden late 19th – early 20th century

The bust portrays a noble woman, richly dressed. Certainly a portrait, as can be seen from the detailed physiognomic characteristics of the face; the depicted subject has a stern gaze and attitude, an element that characterizes the portrait sculpures of the time. The hair are tied on the back of her head in an elaborate hairstyle with braids. The neck is adorned with a necklace with a medallion in the centre and multiple strings of pearls. She is wearing an off-the-shoulder dress, refined with a thin lace hem and a bow in the middle of her chest. The sculptor has great skills with the use of a chisel to refine details and the texture of fabrics.

Italy late 19th century

Female bust and liberty column in white statuary marble, Italy, late 19th century. Bust in old-fashioned dress with floral elements placed on the chest; column decorated with ivy that descends transversely from the supporting surface.

Portrait of a young girl in marble placed on a grey marble column, depicting a young girl cloaked in the winter cold. The different processes used give variety in the rendition of the marble. On the back of the bust, “F. Andreini Florence 1894" is engraved.

19th Century marble sculpture representing a roman matron; the figure stands on the left leg and is wearing a long robe that leaves her breast free; the left arm is hidden by the cloth and is folted while in the opposite hand she is holding a corrispondence. Her face is austere with a pointed chin; her hair har divided by a central parting and collected in a bun behind her head.

Sunny Landscape

Fresco on canvas. Signed lower right. Further signature and technique on the back. Placed in the informal Emilian naturalism, Bruno Saetti's painting is distinguished by a significant love for the pictorial material, rich and consistent, pasty and fermenting, but also open to the modulations of luminous vibration. His series of "frescoes" with the Sun as the dominant subject is rich, as in this work, which presents a large bright sun shining on a brick red background, above an indefinite landscape, where only a basilica can be recognized at the top right. If Saetti's Emilian origin is evident in the warm tones of the red bricks and in the very peculiar taste of the material (the favorite fresco), on the other hand the Venetian contamination is recognizable (Saetti lived for a long time in Venice) in his lingering on the color, on its luminous vibrations, on the feeling of astonished amazement of space. The work is presented in a frame.

Italy, Late XIX Century

Pair of beech wood statue-holder columns, Italy, late 19th century. Square tops and bases, the first removable with screw fixing. Fluted barrels with turned ends.

Italy, Late XIX Century

Pair of eclectic shelves in carved and gilded wood in Mecca, Italy third quarter 19th century. Lower end composed of a bellflower topped by curls, which support the shelf surface covered in velvet. A vertical structure extends from the floor, decorated with large lateral leaf elements and a pair of central flowers; crown with three flowers at the apex. Small renovations and gilding restorations. Slight defects in the gilding.

Mountain Landscape, 1917

Oil on cardboard. Signed and dated lower right. Originally from the province of Cuneo, Giovanni Rava dedicated himself mainly to landscapes, rendered in realistic forms and with an impressionist touch, in the shades of luministic effects. The work is presented in a mid-20th century frame.

Italy, Late XIX Century

Umbertino work table in walnut and walnut veneer, spool legs and turned crosspiece. Poplar interior and undercounter mirror. Italy, late 19th century.

Italy, XIX Century

Little angel on a cloud in carved, gilded and silvered wood. Probably part of a larger sculptural composition.

Italy, Late XIX - Early XX Century

Art Nouveau service table in mahogany veneer, Italy, late 19th - early 20th century. Decorated with geometric maple inlays and threaded in dark wood. On each side it has a cut glass door equipped with handles, which, once opened, constitutes an additional support surface.